The Overtime Theater is a non-profit organization with the mission of “theater for the people” to the greater community through new productions and workshops in acting, playwriting, and comedy improvisation. We are dedicated to providing original, innovative, and accessible entertainment at an affordable price.

In business since 2007, The Overtime Theater has produced over 75 new and original shows primarily by local authors. Our shows are all original works or unconventional adaptations of old classics. We specialize in world premieres of works never before seen on stage. We also collaborate with local visual artists, giving them a prominent space in which to display their works. 13 of 16 shows in in our 2015 were written by local authors. Our 2016 season includes 12 new plays, 7 written by women, 3 of whom live in San Antonio. For the 2016 Season we received 994 submissions from 40 states and 15 countries.

We are located at 1203 Camden right near the Riverwalk and the new Hotel Emma at the historic Pearl Brewery, just down the way from the San Antonio Museum of Art. The Overtime is proud to participate in  local events such as Luminaria and Bat Loco.

Our Staff and Board

Nicole Erwin – Executive Director
Nicole Erwin

Nicole holds a BA in Music from the University of Denver and a Masters in E commerce Management.  She sings with the Symphony Mastersingers and The Greater SA Chamber Choir, and is a private voice instructor at Performing Arts SA (PASA).  Nicole has appeared on stage locally with the Woodlawn, Playhouse, and Cameo theaters, with PASA, and out-of-state with Opera Colorado.

William Razavi – Artistic Director
William Razavi

William has been a member of the Overtime Company since 2013, and was named the theater’s Artistic Director in June 2014.  He is a writer, actor, director, and dramaturg with a BA from Trinity University and an MFA from Brandeis University. “I can take any empty space and call it a bare stage.  A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.” – Peter Brook, The Empty Space

Alex H. Coy IV – Technical Director


Alex joined the Overtime in 2012, with interests as a Writer, Director, Actor, Designer, Entertainer, Technician, and Carpenter.  He hails from San Antonio and is a Sound Technician and Actor at the Magik Children’s Theatre, as well as our Technical Director.  His favorite past OT production is The Cabinet of Dr. Caligari and his favorite theatrical saying is The Techie Mantra: “We the willing, led by the unknowing, are doing the impossible for the ungrateful.  We have done so much, with so little, for so long, that we are now qualified to do anything with nothing.”  Alex is a Marxist-Feminist Transhumanist Anti-Theist. When not working onstage or behind the scenes, you can find him doing stand-up comedy, illustrating satirical political cartoons, and engaging in grassroots activism campaigns.

William C. Champlin – Assistant Technical Director/Box Office Manager

Chris started hanging around the Overtime in 2009, was hired in 2012, but has been a supporter from the beginning.  His theatrical interests are in directing, acting, and design.  He has called San Antonio home sine 1964 and was educated at IWC and Austin College and also spent 25 years designing and directing for U.S. Army Entertainment.. While The Overtime is his primary employer, he also freelances with The Classic Theatre and The Vex.  Port Cove, and Queen’s Castle are two of  Chris’ favorite productions in a fifty year career. He felt that he had been accepted into the Overtime family when Scott McDowell gave him a part in Captain Cortez.  “If you can’t act, behave.” -John Igo

Jess Tanner – Senior Technician and Set Designer
Jess Tanner

Chelsea Robertson – Promotions and Communications Director

Chelsea Robertson





Chelsea is an actor, and joined the Overtime in 2015.  Creatures of the Night, playing at this very moment, is her favorite Overtime production so far.  She recently graduated from UTSA with a BA in English and likes Marina Abramovic’s comment:  “In theater, blood is ketchup; in performance, everything’s real.”

BK McKee – Promotions Manager and Social Media Manager

B.K-McKee has been acting professionally and collegiately for 7 years.  In 2010 he graduated from Texas Lutheran University with a BFA in Dramatic Media.  During his four years tenure at TLU he worked on stage starting with playing a Protean in the show A Funny Thing Happened on the Way to the Forum and ending it with directing In A Northern Landscape by Timothy Mason.  Part of his training at TLU also led him to write, shoot and edit his own short films (some of which turned out better than others).  He is a regular member of the house improv troupe The Denials who were voted the best comedy group in San Antonio in the San Antonio Current magazine.

Board of Directors

Julie Vaquera – President

Jules hails originally from Chelsea, OK, and joined the Overtime family sometime around 2007.  Her day job finds her at Olmos Pharmacy and this is actually her second stint as a Board member.  She is well-known as the Director and Producer of The Overtime Cabaret, a job she finds to be a true joy.  While she writes music, and was the co-author of this past year’s musical How to Play the Game, she also really digs tech, particularly lights, painting, and being a stage-hand.  She has a three-way tie in favorite OT shows:  Dr S Battles the Sex Crazed Reefer Zombies: The Movie: The Musical; Hard Bargain; and Buddah Swings.  She is also the proud parent of one tabby cat and one miniature schnauzer dog.

Scott McDowell – Vice-President and Board Chairman
Scott McDowell

Scott has “been here since day one” and is a current Overtime Board member, having previously served as the theater’s Technical Director and Board President.  His interests in theater are as a playwright, actor, and improv performer.  He is a native San Antonian and by day is a firefighter.  “This island of misfit toys makes beautiful theater.”

Gina Schneider – Secretary
Gina Schnieder

Gina joined the Overtime Company in 2013 as a stage manager, director, and board operator.  She is a native San Antonian and has a Bachelor of Arts in Theater Arts from the University of the Incarnate Word and Political Science from the University of Texas at San Antonio. “A society without art soon finds itself with nothing to pass on.”  – Ming Cho Lee

Rob Barron

Rob has been with the Overtime since 2008. He has done every job in the theater at one time or another. He hopes one day to do at least one of them well.

Michael Burger

Michael Burger is best known around the Overtime for his four-year stint as the Lightning Baron/Captain Cortez, as well as penning the 2014 Halloween show, The Beasts of Baverly Grove.  He has also appeared around San Antonio in shows such as The Pillowman, Mourning Dove, Spamalot, The Wizard of Oz, and 2 Rooms.  He also recently directed the 2015 Vexler show, Rumors.  Michael is pleased to be making his return to the Overtime.  rai·son d’ê·tre

Suzanne Demarkova
Suzanne De Markova

Suzanne joined the Overtime Company in 2008 and is an actor.  She is a native San Antonian and counts parts in The Cabinet of Dr. Caligari and Night of the Living Dead among her favorite Overtime roles.  Regarding Theatre, she shared two quotes: “I like the ephemeral thing about theatre.  Every performance is like a ghost – it’s there and then it’s gone,” from Maggie Smith and “Theatre is a series of insurmountable obstacles on the road to imminent disaster,” from Tom Stoppard.   Suzanne feels the Overtime is a place of family and community who all work together for one thing: for the love of theatre. The Overtime strives to create original, accessible and innovative theatre  – all at a very affordable price – for the good people of San Antonio, Texas and beyond!

Liz Vermeulen

Liz joined the Overtime Company in 2009 and is an actor and “all around lover of the arts.”  She is a native San Antonian and attended Edwards University.  Her favorite Overtime production was Sex Party in 2013 (‘No, that’s not dirty.  It was a brilliant play.”)  She believes in the classic theater maxim: there are no small parts, only small actors.

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